Listing 1 - 10 of 94 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Choose an application
Choose an application
Painters --- Orientalism in art --- Mielich, Alphons Leopold,
Choose an application
Im späten 19. Jahrhundert setzte die neu erfundene Bildreklame alles in Szene - Bilder bewarben Massenprodukte und wurden selbst zum ersten Mal massenhaft verbreitet. Vor allem ,exotische' Bilder, mit denen für Produkte wie Kaffee oder Kakao geworben wurde, wurden als Spektakel erfunden, das massenhaft konsumiert werden konnte.Dadurch wurde die Rezeption des ,Anderen' grundlegend verschoben: Das ,exotische' Produkt und der ,fremde' Körper, mit dem es beworben wird, verschmelzen zu immer noch wirksamen Stereotypen. In der Analyse von Inszenierungen ,exotischer' Körper in früher Bildwerbung wird der Frage nachgegangen, wie exotistische Werbebilder um 1900 gefasst werden können. Kunsthistorische Referenzen zu Traditionslinien der Imagination des ,Exotischen' spielen dabei ebenso eine Rolle wie die Frage nach der zeitgenössischen Rezeption der Bilder im Kontext einer radikalen Veränderung der Sehkultur im 19. Jahrhundert.
Commercial art --- Orientalism in art --- History
Choose an application
A collection of essays that develop ways of doing postcolonial studies in art history.
Choose an application
Thematology --- Art styles --- Orientalism --- Orientalism in art --- Arts, Modern --- Modern arts --- Arts, Modern. --- Orientalism in art.
Choose an application
In The Curious Case of the Camel in Modern Japan, Ayelet Zohar addresses issues of Orientalism, colonialism, and exoticism in modern Japan, through images of camels – the epitome of Otherness, and a metonymy for Asia in the Japanese imagination. In The Curious Case of the Camel in Modern Japan Ayelet Zohar critically analyzes camel images as a metonymy for Asia, and Japanese attitudes towards the continent. The book reads into encounters with the exotic animals, from nanban art, realist Dutch-influenced illustrations, through misemono roadshows of the first camel-pair imported in 1821. Modernity and Japan’s wars of Pan-Asiatic fantasies associated camels with Asia’s poverty, bringing camels into zoos, tourist venues, and military zones, as lowly beasts of burden, while postwar images project the imago of exotica and foreignness on camels as Buddhist ‘peace’ messengers. Zohar convincingly argues that in the Japanese imagination, camels serve as signifiers of Asia as Otherness, the opposite of Japan’s desire for self-association with Western cultures.
Arts and society. --- Orientalism in art. --- Asia --- Relations
Choose an application
The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).
Painting, Russian --- Painting, Russian --- Orientalism in art --- Orient --- In art
Listing 1 - 10 of 94 | << page >> |
Sort by
|